It is estimated that 7,500 cyclists are seriously injured in Canada each year and one-third of cyclist deaths occur during the night. What if there was a way to make yourself more visible on the road? Volvo’s got you covered!
Volvo recently released a video promoting their new product – LifePaint – a unique reflective safety spray designed to make it hard to miss riders on the road at night. This spray is invisible during the day and glows brightly in the glare of car headlights at night making the invisible, visible. The added bonus is that it washes off, doesn’t alter fabric colours or surfaces, and lasts up to one week after application.
Cyclists aren’t the only ones in danger on the road. LifePaint can be used on ANY mobility device including kids scooters, skateboards, motorized scooters, and wheelchairs. The goal is to make road safety accessible for everyone – and this seems like a really fun way to do that! You can buy this product at any Volvo Cars retailer.
“I don’t dress to be stared at. I dress for myself.” – Iris Apfel
Meet Iris Apfel.
Iris is a highly successful and eccentric 94-year-young American businesswoman, interior designer, and fashion icon who has recently gained celebrity fame. Iris is also the founder of Old World Weavers, a textile company that she launched with her late husband Carl Apfel. Through their textile business, they travelled around the world and participated in unique design restoration processes, including work on the White House for several presidents. Her bold approach to layering big jewelry and her oversized round glasses make a lasting iconic impression that landed her a star role in a documentary by Albert Maysles about her incredible life and career.
I recently watched this delightful documentary – Iris – which included several segments of Iris using mobility devices including a cane, walker and wheelchair.
What struck me immediately when viewing these segments was the stark contrast between Iris’s ‘over the top’ accessorizing – on herself, her house and even her husband and the mobility aids that were left completely untouched! Not a splash of colour, not a jewel or bead, nothing… I have to admit I was disappointed… and couldn’t help thinking, “REALLY?! IRIS?!! You of all the people would have the know how to “pimp your ride”!
Unconsidered OR Unacceptable?
I believe one of two things are going on here. Either,
- These devices are ‘unconsidered’ – i.e., it doesn’t occur to Iris (or those around her) that it’s even an option to accessorize these devices…or, and I imagine more likely…
- The devices are ‘unacceptable’ – meaning Iris (like others) just can’t reconcile herself with these medicalized impersonal machines and as such wants to distance herself from them. The way these devices look, feel and are understood in our culture in other words, is completely unacceptable to Iris and as such she does not want them to – in any way- be a part of her.
“There’s no how-to road map to style. It’s about self-expression and, above all, attitude.” – Iris Apfel
Technological innovation and advancement is helping us to re-imagine assistive devices in our everyday lives as new designs challenging previous limitations in amazing ways!
In 2013, a focus group of seven mechanical engineers and one electrical engineer from the Swiss Federal Institute of Technology (ETH) in Zurich, Switzerland teamed up with two industrial designers from Industrial Design at Zurich University of the Arts to create a wheelchair unlike any other. Adopting Beni Winter’s idea of creating a robot that climbed stairs, the team worked together to create a wheelchair that could do the same thing.
Electrically powered and strategically designed, this incredible piece of technology can climb stairs and possesses the ability to balance on two wheels to keep the occupant level at all times. VERY cool! See it for yourself!
Another great example of innovative technology that challenges us to re-imagine the scopes of assistive devices is Patrick Dougherty’s invention known as the “FreeWheel“. Slightly less complicated than the previous example, the FreeWheel is an attachment that makes navigating certain terrains substantially easier in a wheelchair. The foldable, removable wheel attachment significantly expands the user’s scope of movement, allowing them to travel through gravel, over grass, and even persevere through the snowy sidewalks during the winter. The FreeWheel is helping re-define what it means to live an active life in a wheelchair.
These are great innovations however research and innovation costs money, and high price tags can pose a huge obstacle for a lot of people. Which brings us back to the real barrier for people with disabilities ~ society’s inability and unwillingness to provide fully accessible environments for all citizens.
Every two years, a major contemporary art exhibition – The Venice Biennale – takes place in Venice, Italy with specific events for art, contemporary dance, architecture, cinema and theatre. At this year’s exhibition, one artist’s extraordinary work re-created a traditional assistive device using razor blades. Tayeba Begum Lipi, born in Gaibandha, Bangladesh, is known for creating paintings, prints, videos, and sculptures that articulate themes of female marginality and the female body. While many of her sculptural works purposefully use unexpected materials to speak primarily to the violence facing women in Bangladesh, her razor blade wheelchairs showcased at this year’s Biennale inspire an view on disability.
This piece – simultaneously beautiful and dangerous – reflects the challenges those with disabilities face daily in a world that continues to embrace ableist assumptions and beliefs. Looking at the detail of the piece I feel its message… when our society marginalizes people with disabilities, it perpetuates a kind of slow violence that will ultimately, destroy us all ~ as Emma Lazarus explains “Until we are all free, none of us are free”.
Sara Hendren’s a ROCKSTAR! An artist, writer, activist, and design researcher – Sara creates and writes about adaptive and assistive technologies, prosthetics, inclusive design, and accessible architecture from a critical disability perspective. Her projects include the Accessible Icon Project a grassroots initiative that provides supplies and services to transform the original International Symbol of Access into this active, engaged image –
In an interview with the Atlantic, Sara explains why we need to stop using the terminology ASSISTIVE technology and instead call “adaptive devices” what they are – TECHNOLOGY –
“Scholars and people who are activists for disability rights have spent a lot of energy in the last decades showing that disability is not about the state of a human body; it’s about the built environment, structures, and institutions that make life possible and meaningful—or conversely, impossible and meager—for certain kinds of bodies and minds. In other words, disability studies has worked to transition an understanding of disability from a “medical model” to a “social model.” A social model of disability opens up the discussion to consider how design and technologies might be re-imagined for all kinds of bodies, not “assigned” to those with medicalized conditions.
By returning “assistive technology” to its rightful place as just “technology”—no more, no less—we start to understand that all bodies are getting assistance, all the time. And then design for everyone becomes much more interesting.”
Sara has a blog Abler where she tracks and comments on art, adaptive technologies and prosthetics, the future of human bodies in the built environment, and related ideas. She also runs works on lots of other cool projects including designing ramps for skateboarders and wheelchair users –
See what I mean? ROCKSTAR!
How does all this fit together?
1. It’s the 50th anniversary of Dr. Who! The long running BBC science fiction tv series about the adventures of a time-traveling humanoid alien known as the Doctor. My brother and I seriously loved this show when we were kids – it has great characters and some seriously creative low-tech special effects!
2. Dr. Who travels in this super cool ship – the TARDIS – a time machine that is bigger on the inside than the outside.
The TARDIS used from 2005 to 2010
3. It was Halloween a few weeks ago and I’ve started to notice an awesome trend toward Wheelchair Costumes (what a great idea!). There are lots of great ones out there, but one of my all time favourites is from the UK of Dr. Who and his TARDIS!
With their body as the joystick, these hands free wheelchairs allow dancers with disabilities to soar –
- Dancer Merry Lynn Morris teaching one of her students in the hands free wheelchair – that expression says its all…
The soul of the chair comes from Morris experience with her father who was in a wheelchair. Finding it difficult to get close to him, to hug him, she felt the chair ‘caged in’ her father. Combined with her passion for dance, Morris later began to re-imagine a hands free wheelchair that was more ‘open’ to the world.
The science of this chair – which is controlled by the body – comes from a collaboration with a team of engineers at the University of South California –
The potential of this – of hands free chairs that respond to the body and are designed in a way that facilitates interaction and inclusivity (physically and socially) – blows my mind! Bring it on!
Filed under Accessibility, Design, Inspirational, invention, Mobility Aids, Personal Stories, Photos, Posts, Projects, Recreation, Videos
Wei Yen hand stitched her wheelchair cover and added many other accessories that make her mobility device more functional AND fun. Check out her foot pedal horn!
Recovering from recent hip surgery for an inflammatory joint infection called synovitis, the superstar was originally given a more traditional wheelchair which she affectionately named ‘Emma’. Not wanting to give up her style however (who does?!), Lady Gaga commissioned jewelry designer Ken Borochov to design the leather-tufted chair that features a removable canopy. Now THAT’s more like it girl – “P-p-p-poker face, p-p-poker face – Mum mum mum mah”…